video « Live from the Phoenix Asteroids… | Flash development / Motion graphics / Video post-production

The Wave

posted by on 2011.01.13, under 2011, commercial work, demo (video), motion graphics, video
13:

This is a music video for Amplifier. I worked on this with a few friends back in London: Adriano Gazza, John Angless and Laura Henry. It’s pretty psychedelic so sit back, relax and, in the words of Kuato, open your mind…

Away3D

posted by on 2010.03.24, under 2010, 3D, commercial work, demo (video), motion graphics, video
24:

I recently made a showreel video for the Away3D team, showcasing the fantastic work people have produced using their real-time 3D engine. The video was shown as part of Rob Bateman‘s recent presentation at LFPUG.

Away3D

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When You’re Gone

posted by on 2010.01.11, under 2008, commercial work, demo (video), motion graphics, video
11:

Susie Ledge, an up-and-coming singer-songwriter and a Myspace favourite, asked designer Adriano Gazza and me to create a video for her single, “When You’re Gone”.

When You're Gone

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A Barilla Day

posted by on 2010.01.11, under 2008, commercial work, demo (video), motion graphics, video
11:

Barilla have a mission to bring the wonders of Italian cuisine to the world. They have tasty products for every meal in the day, from breakfast to dinner. The “Barilla Day” begins with a family eating breakfast, before we head to Paris for lunch, finally travelling across the ocean to New York, where we find attractive 20-somethings having a dinner party.

We used a 2.5D animation technique, where high-resolution photography was broken into layers and reassembled in 3D space in After Effects. I worked alongside my old allies, Mike Rigley and Tim Foster, on this project.

Barilla

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Tri-Pentox

posted by on 2010.01.11, under 2008, 3D, commercial work, motion graphics, tv, video
11:

Sit-up Channels hired me to create some motion graphics for a TV advert. Tri-Pentox is an anti-aging and anti-wrinkle skincare product boasting the latest scientific research and advanced chemical agents. I used this as the basis for my design. My concept was to start a camera move at the subcutaneous level, where tri-pentox does its work and where we would see molecules in action, and then pull back to reveal the beautiful, smooth-skinned model.

Tri-Pentox

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Emirates Fingerprint

posted by on 2010.01.11, under 2008, commercial work, motion graphics, video
11:

Emirates were promoting a service where a traveller’s favoured destinations, representing their ‘travel fingerprint’, would be logged and allow Emirates to make their journeys easier by finding local amenities and areas of interest. I worked on an animation prototype to demonstrate how the service would work.

Emirates Fingerprint

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Blue Communities

posted by on 2010.01.11, under 2008, commercial work, demo (video), motion graphics, video
11:

Nakheel Blue Communities “is a call to action for the world”. It is an initiative to develop and protect coastlines around the world, positing that by 2010 80% of the planet’s population will be living close to the sea. I was hired to work on a promotional video for use online and on in-flight video systems aboard aircraft flying to Dubai.

Blue Communities

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Stop-motion Skateboard

posted by on 2010.01.11, under 2008, commercial work, demo (video), photography, video
11:

I have always liked stop-motion animation for its organic and slightly quirky feel. Digitas were working on a series of banners for Ericsson featuring skateboarders and asked me to shoot a stop-motion sequence of a pair of hands making an origami skateboard and performing some tricks.

Stop-motion Skateboard

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IBM Pitch

posted by on 2010.01.11, under 2008, commercial work, demo (video), video
11:

The IBM Pitch gave me the chance to make a hip hop montage, something that is always enjoyable to do, for a pitch.

IBM Pitch

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The Great White

posted by on 2010.01.11, under 2008, 3D, commercial work, flash, motion graphics, video
11:

This project gave me the opportunity to use my After Effects knowledge to enhance what could have been a fairly flat animation into something with more visual impact and energy. The VXR Great White was marketed as the motoring embodiment of the power and danger of a Great White shark. It was my task to find a way to transform a shark into a car.

The Great White

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